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Kanu & Chohi

 

The famous Chinese generals Kanu & Chōhi

 

Dr Gary Hickey   University of Melbourne 2008

The fame of the two celebrated Chinese generals Kanu (Ch. Guan Yu, c.161-219CE) and Chōhi (Ch. Zhang Fei, c. 161-221CE) was such that Kanu was, as early as the Sui Dynasty (581-618CE), deified as the Taoist God of War and Chōhi became legendary as his heroic compatriot. Kanu worked as a bean curd seller whilst studying. Chōhi had similar humble beginnings having worked as a butcher and wine seller. After meeting Ryubi (Ch. Liu Bei, 161-223CE), who was later to become the Emperor of the Kingdom of Shu during the Three Kingdoms Period (220-280CE), all three formed an allegiance. This allegiance was formed in Chōhi’s garden under peach tree blossoms, a brotherhood that, in legend, has become known as the Oath of the Peach Garden. Ryubi, Kanu and Chōhi became generals and together they played a major part in the civil war that led to the fall of the Han Dynasty (206BCE-220CE), one of the most violent periods in Chinese history.   

Often all three heroes are depicted together but in this work only Kanu and Chōhi are shown. As would be expected of a loyal compatriot Chōhi is standing behind Kanu. He is depicted with his characteristic features – blue eyes, flowing red hair and fan-shaped beard and holding his enormous double-edged sword. Accentuating his renowned great physique and strength the figure of Kanu dominates the foreground. His ferociousness is made apparent by his commanding physical appearance – a robust body and a ruddy complexion with long flowing beard. His beard was so magnificent that he was given the nickname ‘Lord of the Splendid Black Beard’. He is normally shown dressed in a green robe and with a massive spear which is often incorrectly described as a sword. The artist has made this same assumption and in this work his sheathed sword is prominently at his side. Kanu is particularly popular in Japan where he is admired for his military prowess and virtue. It is this association that explains the recurrence of his figure on sword fitting designs.

The fourteenth century historical novel Romance of the Three Kingdoms, mostly based on fictionalized stories, played a major part in the fame of these three great generals. In Japan this novel is known as Sangokushi and, in popular culture, has been parodied in numerous manga comic books and video games.

 

References

Henri L. Joly, ‘Legend in Japanese Art’, Rutland, Vermont & Tokyo: Charles E. Tuttle, 1983, pp. 106-07, 173-74, & 313-14.

http://en.wikipedia.org/wiki/Kwan_Yu